《德拉克的回归》是一部以历史为背景的剧作,主要讲述了主人公德拉克历经磨难后,重返故土,与过去的敌人和挚爱之间展开的一系列情感与复仇的故事。豆瓣内容: 与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).剧中,拉多万·卢卡夫斯基饰演的角色德拉克,他面对着内心深处的矛盾与挣扎:“在这个世界上,我究竟是谁?是那个曾经的英雄,还是那被命运扭曲的复仇者?”古斯塔夫·瓦拉赫所扮演的角色则是一个深藏不露的敌人,他对德拉克说:“你永远无法逃脱你的过去,德拉克,你的名字将永远与背叛相连。”艾米丽娅·瓦萨约娃饰演的角色是德拉克的爱人,她对他说:“无论你经历了什么,我的爱永远不会改变,德拉克。”这三句台词不仅揭示了角色之间的复杂关系,也展现了剧中人物在情感与复仇之间的挣扎与抉择,构成了整个故事的核心冲突。