类型:剧情 其它 1965
主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,Heiner,Braun,Georg,Zander,Lutz,Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
导演:让-马里·斯特劳布,达尼埃尔·于伊耶
《没有和解》是一部深刻探讨战争与人性的影片。影片以第二次世界大战为背景,讲述了在战争的残酷背景下,一群德国士兵与法国平民之间发生的故事。影片通过不同角色的视角,展现了战争对个体心灵的摧残以及人性在极端环境下的复杂面貌。豆瓣内容: The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.1. Heinrich Hargesheimer 饰演的角色在一次战斗后对战友说:“我们只是执行命令,但这一切都是如此荒谬。”2. Carlheinz Hargesheimer 饰演的角色在目睹了无辜平民的悲惨遭遇后感叹道:“战争夺走了我们所有的理性,它让我们成为了自己最痛恨的人。”3. Martha Staendner 饰演的角色在面对战争的残酷现实时,对丈夫说:“我曾以为我们能改变这个世界,但现在我明白了,我们只是被命运操控的棋子。”影片中的每一个角色都承载着不同的故事,他们的对话不仅仅是简单的台词,更是对战争反思和人性探索的深刻表达。《没有和解》以细腻的情感描绘和深刻的哲学思考,向观众展示了在历史的洪流中,个人的命运与选择如何被时代所塑造,同时也引发了对于和平与理解的深深思考。