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女巫1967剧情简介
《女巫1967》是一部充满奇幻色彩的电影，主要讲述了一群女巫与一个小镇居民之间的奇妙冒险。影片中的角色性格鲜明，各具特色，他们的对话充满智慧与幽默。豆瓣内容: "The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.西尔瓦娜·曼加诺饰演的角色是艾莉丝，她是一位勇敢的女巫，她的台词是：“在魔法的世界里，每一步都可能引领你走向未知的奇迹。”安妮·吉拉尔多扮演的角色是莉莉安，她是艾莉丝的好友，擅长使用各种咒语，她的台词是：“咒语不仅仅是语言的游戏，它是连接我们与神秘力量的桥梁。”弗朗西斯科·拉瓦尔饰演的角色是乔纳森，他是一位善良的小镇居民，他的台词是：“我相信每个人心中都有一颗勇敢的心，即使面对最黑暗的力量，也能照亮前方的道路。”这三位演员通过各自独特的表演，为观众呈现了一个既富有想象力又充满温情的奇幻世界。
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