《域2019》是一部聚焦于社会边缘群体与虚拟现实世界交互的日本电影。它以四个主要角色的视角,探讨了人与科技、现实与幻觉之间的界限。豆瓣内容: Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.涩谷麻美扮演的角色是一位孤独的软件工程师,她的一句台词是:“代码就是我的语言,它能告诉我,这个世界到底在想什么。”笠島智所饰演的角色是一位沉迷于虚拟现实游戏的少年,他如是说道:“在这个世界里,我可以成为任何人,做任何事,甚至忘记自己的痛苦。”足立智充扮演的是一位深受社会边缘化问题困扰的青年,他的话语充满了无奈与渴望:“在这个世界之外,我看不到希望,只有无尽的黑暗。”龙健太的角色则是一个在虚拟与现实之间游走的黑客,他的台词揭示了影片的核心主题:“我们每个人都生活在自己的‘域’里,无论是真实还是虚拟,都只是我们选择的反映。” 吉开菜央饰演的角色是一位试图理解并帮助这些边缘人群的社会工作者,她的话语充满了对人性的关怀:“每个人都有被看见和听见的权利,无论他们处于哪个‘域’。”水下暢也所扮演的角色是一位试图揭露虚拟现实世界真相的记者,他的话让人深思:“真相往往隐藏在最不起眼的地方,需要我们用不同的眼光去寻找。”细馬宏通的角色是一个虚拟现实世界的开发者,他的台词反映了对技术伦理的深刻思考:“技术可以是桥梁,也可以是深渊,关键在于我们如何使用它。”这几位角色在《域2019》中交织出一幅关于人类情感、科技伦理和社会现实的复杂画卷。